TENT PhD* Programme — 2024 Participants
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Rency Philip is a theatre artist based in Bangalore, India. Trained in contemporary puppetry, physical comedy, and masks, her work spans from devised theatre to postdramatic, including site-specific performances and digital media. Her plays have been staged at multiple theatre festivals and in both formal and experimental venues. She also works as a scenographer for theatre and dance productions. In 2018, she was awarded the Inlaks Award for theatre. She was a fellow at the Theatretreffen International Forum 2019, Berlin. Recently, Rency has ventured into the digital space and is thrilled by the internet as a site of performance and nonsense. She has collaborated on various multidisciplinary projects, creating short-format video and audio content. She is a drama educator and conducts workshops to build puppets using found objects and materials.
Sveta Grigorjeva is an Estonian choreographer, dancer, poet and critic. She has published three poetry collections “who is afraid of sveta grigorjeva” (2013", “American beauty” (2018) and "Frankenstein" (2023). Her stage productions include “Rebel Body Orchestra” (2017), “FAKERZ“ (2021) and "Dances to Dream, Res(is)t and Sleep to" (2022). As an artist, she is interested in the Spinoza-influenced belief that we do not know yet what thebody can do and the subversive nature and potential of expressive body and text. Grogorjeva has danced in her own productions and those of others in Estonia and abroad. In autumn 2022 she finished her second MA at the Justus Liebig-Universität in Giessen, Germany.
Tilman Aumüller writes and makes collaborative art. He is interested in how different actors connect in sympoietic processes through fiction, narrative, and play, creating surprising communities and weirder reconfigurations of the familiar. This work includes pen & paper role-playing games, essayistic storytelling, drawing, performances and institutional work.Tilman is founder of the Club of What if, a club for shared imagination and analog role-playing games, co-curator of the festivals Implantieren 2022/23 and Implantieren 24, and co-founder of the artist collective ScriptedReality, with whom he has realized numerous performances. Tilman studied Fine Arts at the Academy of Visual Arts in Leipzig and Applied Theater Studies at the University of Giessen. He lives in Frankfurt am Main and sometimes in Prague.
Petr Dlouhý has been working in the independent performing arts field since 2017 as a curator in the broadest sense of this position. So maybe a better is to call him a host. Petr is the person who writes the invitation email, creates frameworks, sets work conditions, and deals with the bureaucracy incorporated in each of these actions. He is there during the process to share observations, activate the networks, and he is there on the day of the event, saying hello to the people. For sure he is not doing that alone. Since 2021 he has been a core member of Studio ALTA, a Prague-based venue and residency centre with a focus on contemporary dance & performance and since 2019 he and his partner have been curating a performance-exhibition series called Y Events. Next to that he hosts various international exchange programmes, participates in research projects and does tarot readings for anyone who is curious to reflect on their own practice.
PhD* of TENT A Peer-to-Peer Program of Performative Practices
PhD* of TENT A Peer-to-Peer Program of Performative Practices
About the program
TENT PhD* is a three-year global program for artists, curators, and researchers who wish to pursue their practice into a long-term trajectory with peers from their field. Using the same structure as an academic Ph.D., it challenges its participants to formulate and shape a timeline with tangible outputs (video, audio, text) and share them with other participants. In this way, the participants make up a network of mutual support and accountability during a longer timeframe. Rather than focusing on the individual end product TENT PhD* is about the collective process.
The PhD* is not an academic program, but a performative frame borrowed from academia. Together we want to explore what forms of collective learning become possible if the PhD is a playful structure instead of a limiting institutional frame. As such, certain cornerstones like the timeline are borrowed from existing PhD programs, while others, like exams, are discarded or translated to fit the existing life and challenges of the present-day. One of the main pillars of the program is the (re)formulation of a purpose that is directly related to the practice of each participant. It is synonymous with the research question of an academic program, a concise guide (or reminder) for the individual participant through which their (collective) practice can make sense in a longer timeframe.
This program is a response to the perception of loneliness and isolation that many cultural workers are experiencing. It is intended as a way for creating peer support, and to keep making work that is valuable on a personal and community level, as well as offering a space for learning after formal education. The practical work aspect of our dream/work should be reminded and we make it happen together with an extended community.
The precise frames will be discussed in conversation with each participant. With this program, the core of a PhD program – to focus intensely on a single purpose with its many possible outputs, to receive feedback along the way, to stay on track – and reformulate it to be relevant to the broad ecosystem of the art world and beyond.
Practical details
TENT PhD* is intended to build on this system, where participants can continue with their work and care engagements, and still, they can have a network, timeline, structure, and peer support.
While our update meetings will take place remotely, we intend to make it possible to gather in person at least once a year, in the form of a performative symposium or conference with at least partially funded participation.
For the first round of applications, we invite you to submit a brief application of interest, which should take 15 minutes or less to fill in. We will select 20 participants to move to the next stage, where we engage with them in more detail about their purpose for joining. A final group of 8-12 participants will be selected for the program.
What will the program entail?
Timeline, structure, and peer support (as in an academic PhD program)
An engagement to find alternative ways of learning
Focusing on existing practices and crafting a purpose from them
The program largely takes place remotely, with the possibility for live encounters with the group
It is not an academic program, though theoretical research can be a part of it
Network support of co-workers
Exchange with participants with a similar mode of research for continuous dialogue
Call for application and criteria
The program is addressed to artists, curators, and researchers who have the desire to embark on a three-year trajectory with their practice together with an extended network.
- Who has an idea that can be executed in a three-year trajectory with peer support
- Who are facing challenges and/or feeling a lack of purpose in their field.
- Who is willing to actively participate in a support structure with others.
- Who has the desire to change the field they are working in.
- No previous academic qualifications are needed, however, the applicant needs to show that they have experience in their practice (e.g. through having shown works in an established or DIY scene, autodidactic research, etc.).
This is an autonomous, non-accredited program. There are no fees. Some costs can arise for accommodation and travel. We are working on additional funding.
Link to share with people: https://usem.liberaforms.org/tentph
Deadline application (1st round): October 31st, 2023
Start: May, 2024
If you have any questions, or prefer to submit a video recording, write to banyantent@gmail.com.
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